long panoramic sheet of paper with five separate rectangular scenes depicting boxing-related imagery, rendered in black and white pigments; left-most scene depicts referee in black and white striped shirt blowing whistle with boxer on left; scene that is second from left depicts two boxers in a ring, partaking in a match; center scene is a male face, gazing to PR; scene second from right depicts a figure wearing a robe, back facing the viewer, with another figure looking on at robed figure; right scene has a close-up view with crowd cheering — Untitled (Rumble in the Jungle), 2009
David Rathman

Not on View

view from low vantage point of pair of black doors with grey crash bars and three white rectangles on each door, with red, green, yellow, blue, and orange graffiti; grey tile and grey and black doors at left and right; red and white "EXIT" sign above doors with crash bars — Exit, 2008
David Rathman

Not on View

Montana’s Killing Me — Progressive proof #3, horizon added, for Montana's Killing Me, 2002
David Rathman

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Montana’s Killing Me — Progressive proof #1 for Montana's Killing Me, 2002
David Rathman

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Montana’s Killing Me — Progressive proof #4, burnished deletion, for Montana's Killing Me, 2002
David Rathman

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Montana’s Killing Me — Progressive proof #6, text added, for Montana's Killing Me, 2002
David Rathman

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Montana’s Killing Me — Progressive proof #2, with hand coloring, for Montana's Killing Me, 2002
David Rathman

Not on View

Montana’s Killing Me — Progressive proof #5, new horizon added, for Montana's Killing Me, 2002
David Rathman

Not on View

Montana’s Killing Me — Proof at state #1, with hand drawing, for Montana's Killing Me, 2002
David Rathman

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Serenade, David Rathman; Publisher: Vermillion Editions Limited, Minneapolis — Serenade, 1984-1986
David Rathman; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

Suite of seven sugar-lift etchings with chine collé printed in color from top-rolled plates on wove paper; housed in a tan heavyweight paper folding portfolio case with screenprinted cover design and text. — Untitled (No.6), 1990
David Rathman; Publisher: Vermillion Editions Limited, Minneapolis

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Suite of seven sugar-lift etchings with chine collé printed in color from top-rolled plates on wove paper; housed in a tan heavyweight paper folding portfolio case with screenprinted cover design and text. — Untitled (No.1), 1990
David Rathman; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

Suite of seven sugar-lift etchings with chine collé printed in color from top-rolled plates on wove paper; housed in a tan heavyweight paper folding portfolio case with screenprinted cover design and text. — Untitled (No.3), 1990
David Rathman; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

Suite of seven sugar-lift etchings with chine collé printed in color from top-rolled plates on wove paper; housed in a tan heavyweight paper folding portfolio case with screenprinted cover design and text. — Untitled (No.2), 1990
David Rathman; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

Suite of seven sugar-lift etchings with chine collé printed in color from top-rolled plates on wove paper; housed in a tan heavyweight paper folding portfolio case with screenprinted cover design and text. — Untitled (No.4), 1990
David Rathman; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

Suite of seven sugar-lift etchings with chine collé printed in color from top-rolled plates on wove paper; housed in a tan heavyweight paper folding portfolio case with screenprinted cover design and text. — Untitled (No.5), 1990
David Rathman; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

Suite of seven sugar-lift etchings with chine collé printed in color from top-rolled plates on wove paper; housed in a tan heavyweight paper folding portfolio case with screenprinted cover design and text. — Untitled (No.7), 1990
David Rathman; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

Color lithographs with screenprinting on Rives BFK paper; housed in a hinged plywood portfolio box with title branded on front cover; artist's book. Designed by Steven Andersen and David Rathman. — The Enchanted Assassin, 1991
David Rathman; Author: Kenneth Patchen; Publisher: Vermillion Editions Limited, Minneapolis; Designer: Portfolio case co-designed by Steven M. Andersen; Designer: Portfolio case co-designed by David Rathman

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Linocut with letterpress on John Koller Special HMP handmade paper; housed loose in a black buckram and paper portfolio; cover also features a linocut on Japan paper by the artist. — Page from Adventures in the Burning Bush, 1987
David Rathman; Author: Amos Tutuola; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

Linocut with letterpress on John Koller Special HMP handmade paper; housed loose in a black buckram and paper portfolio; cover also features a linocut on Japan paper by the artist. — Page from Adventures in the Burning Bush, 1987
David Rathman; Author: Amos Tutuola; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

Linocut with letterpress on John Koller Special HMP handmade paper; housed loose in a black buckram and paper portfolio; cover also features a linocut on Japan paper by the artist. — Page from Adventures in the Burning Bush, 1987
David Rathman; Author: Amos Tutuola; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

Linocut with letterpress on John Koller Special HMP handmade paper; housed loose in a black buckram and paper portfolio; cover also features a linocut on Japan paper by the artist. — Page from Adventures in the Burning Bush, 1987
David Rathman; Author: Amos Tutuola; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

Linocut with letterpress on John Koller Special HMP handmade paper; housed loose in a black buckram and paper portfolio; cover also features a linocut on Japan paper by the artist. — Page from Adventures in the Burning Bush, 1987
David Rathman; Author: Amos Tutuola; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

linocut with letterpress on John Koller Special HMP handmade paper; housed loose in a black buckram and paper portfolio; cover also features a linocut on Japan paper by the artist. — Colophon page from Adventures in the Burning Bush, 1987
David Rathman; Author: Amos Tutuola; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

handmade paper; housed loose in a black buckram and paper portfolio; artist's book. Portfolio cover also features a linocut on Japan paper by the artist. — Page from Adventures in the Burning Bush, 1987
David Rathman; Author: Amos Tutuola; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

Linocut with letterpress on John Koller Special HMP handmade paper; housed loose in a black buckram and paper portfolio; cover also features a linocut on Japan paper by the artist. — Page from Adventures in the Burning Bush, 1987
David Rathman; Author: Amos Tutuola; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

One-color intaglio printed in dark brown ink. Techniques used were sugar-lift, lifted screenprinting (text), spit-bite aquatint, plus "found/existing" drypoint scratches. The plate was printed with plate tone according to artist's directions. — It’s just my Rough habits, I guess, 2002
David Rathman; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

Intaglio printed in brown ink from one plate made by the artist using the spit-bite technique. — It seldom matters, the words you say, 2009
David Rathman; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

Lateral image of multicolored demolition truck facing to the L, with "31" painted on driver's door, "Miller Trucking" on truck bed, and exhaust tubes coming out from top of hood; lithograph printed in black on three panels with watercolor additions. The artist made three drawings for photolithographic plates. The plates were inked in black and the artist distressed the image by rubbing off areas of the image prior to printing each sheet. The sheets were then hand-colored by the artist using watercolor inks. — Miller Trucking, 2011
David Rathman; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

Spit-bite aquatint and previously existing drypoint scratches from a steel-faced copper plate with gampi chine collé printed in black ink. — Untitled (Breakaway), 2013
David Rathman; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

One-color intaglio printed in black ink. Techniques used were sugar-lift and lifted screenprinting with aquatint. — It Ain’t Right, but it’s so., 2003
David Rathman; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

Spit-bite aquatint and previously existing drypoint scratches from a steel-faced copper plate with gampi chine collé printed in black ink. — Untitled (Chirp), 2013
David Rathman; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

Spit-bite aquatint and previously existing drypoint scratches from a steel-faced copper plate with gampi chine collé printed in black ink. — Untitled (Muckers and Grinders), 2013
David Rathman; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

Spit-bite aquatint and previously existing drypoint scratches from a steel-faced copper plate with gampi chine collé printed in black ink. — Untitled (Shinny), 2013
David Rathman; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

One-color intaglio printed in dark brown ink. Techniques used were sugar-lift, lifted screenprinting (text), spit-bite aquatint, plus "found/existing" drypoint scratches. The plate was printed with plate tone according to artist's directions. — I Forgot it was Sunday., 2002
David Rathman; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

Intaglio with white gampi chine collé printed in black from one plate made by the artist using spit-bite and drypoint techniques. — The way we get by, 2009
David Rathman; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

One-color intaglio printed in dark brown ink. Techniques used were sugar-lift, lifted screenprinting (text), spit-bite aquatint, plus "found/existing" drypoint scratches. The plate was printed with plate tone according to artist's directions. — That’s as fair as I know how to make it., 2002
David Rathman; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

Spit-bite aquatint and previously existing drypoint scratches from two steel-faced copper plates with gampi chine collé printed in black ink. — Untitled (Faceoff), 2013
David Rathman; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

Spit-bite aquatint, roulette, burnishing, and previously existing drypoint scratches from two steel-faced copper plates with gampi chine collé printed in black ink. — Untitled (Gong Show), 2013
David Rathman; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

Lateral image of multicolored demolition car facing to the R, with "Team Gorman" painted on side of body, and exhaust tubes coming out from top of hood; lithograph printed in black on four panels with watercolor additions. The artist made four drawings for photolithographic plates. The plates were inked in black and the artist distressed the image by rubbing off areas of the image prior to printing each sheet. The sheets were then hand-colored by the artist using watercolor inks. — Team Gorman, 2011
David Rathman; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

Spit-bite aquatint and previously existing drypoint scratches from a steel-faced copper plate with gampi chine collé printed in black ink. — Untitled (Getting Chippy), 2013
David Rathman; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

Spit-bite aquatint and previously existing drypoint scratches from a steel-faced copper plate with gampi chine collé printed in black ink. — Untitled (Windmill), 2013
David Rathman; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

Spit-bite aquatint with roulette and previously existing drypoint scratches from two steel-faced copper plates with gampi chine collé printed in black ink. — Untitled (Light the Lamp), 2013
David Rathman; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

One-color intaglio printed in dark brown ink. Techniques used were sugar-lift, lifted screenprinting (text), spit-bite aquatint, burnishing, plus "found/existing" drypoint scratches. The plate was printed with plate tone according to artist's directions. — Butterfly Mornings, Wildflower Afternoons, 2002
David Rathman; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

Spit-bite aquatint with roulette and previously existing drypoint scratches from two steel-faced copper plates with gampi chine collé printed in black ink. — Untitled (Celly), 2013
David Rathman; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

One-color intaglio printed in dark brown ink. Techniques used were sugar-lift, lifted screenprinting (text), spit-bite aquatint, scraping, burnishing, plus "found/existing" drypoint scratches. The plate was printed with plate tone according to artist's directions. — Montana’s Killing Me, 2002
David Rathman; Printer: Highpoint Editions, Minneapolis; Publisher: Highpoint Editions, Minneapolis

Not on View

Linocut with letterpress on John Koller Special HMP handmade paper; housed loose in a black buckram and paper portfolio; cover also features a linocut on Japan paper by the artist. — Page from Adventures in the Burning Bush, 1987
David Rathman; Author: Amos Tutuola; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

Linocut with letterpress on John Koller Special HMP handmade paper; housed loose in a black buckram and paper portfolio; cover also features a linocut on Japan paper by the artist. — Page from Adventures in the Burning Bush, 1987
David Rathman; Author: Amos Tutuola; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

Linocut with letterpress on John Koller Special HMP handmade paper; housed loose in a black buckram and paper portfolio; cover also features a linocut on Japan paper by the artist. — Page from Adventures in the Burning Bush, 1987
David Rathman; Author: Amos Tutuola; Publisher: Vermillion Editions Limited, Minneapolis

Not on View

Untitled, 2001

David Rathman

Not on View

Silhouette of horse rider and man on cliff edge, 2001

David Rathman

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Sketch, 2011

David Rathman

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Reference image printout, right, 2011

David Rathman

Not on View

Reference image printout, center, 2011

David Rathman

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Key plate, matrix, 2013

David Rathman

Not on View

Football proof, uneditioned, 2009

David Rathman

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Proof with hand coloring, no text, 2002

David Rathman

Not on View

Notes for step biting (Print #5), 2013

David Rathman

Not on View

Reference image printout, 2013

David Rathman

Not on View

Printout #1, 2011

David Rathman

Not on View

Plate #1 printed in greenish tan, Plate #2 printed in blue and orange, Plate #3 printed in black, 2013

David Rathman

Not on View

Titles, 2002

David Rathman

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Notes for step biting (Print #1, Plate #3), 2013

David Rathman

Not on View

Original drawn positive, center, 2011

David Rathman

Not on View

Hockey Fight, 2013

David Rathman

Not on View

Notes for step biting (Print #15), 2013

David Rathman

Not on View

Reference image printout on transparency, 2013

David Rathman

Not on View

Misprint of left panel, showing trace removal drawing done to plate prior to printing, 2011

David Rathman

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Proof with spit bite tests, 2005

David Rathman

Not on View

Reference image printout, large, 2013

David Rathman

Not on View

Notes for step biting (Print #1, Plate #1), 2013

David Rathman

Not on View

Notes for step biting (Print #11), 2013

David Rathman

Not on View

Hockey fight printout, 2013

David Rathman

Not on View

Silhouette of gunman leading horse & rider, 2001

David Rathman

Not on View

Notes, 2013

David Rathman

Not on View

Notes for step biting (Print #1, Plate #2), 2013

David Rathman

Not on View

Original drawn positive, left, 2011

David Rathman

Not on View

Original drawn positive, right, 2011

David Rathman

Not on View

Proof with titles, 2002

David Rathman

Not on View

Original drawn positive, left center (not used), 2011

David Rathman

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Plate #3 printed in black, 2013

David Rathman

Not on View

Proof, 2005

David Rathman

Not on View

Spit bite plate, matrix, 2013

David Rathman

Not on View

Plate #1 printed in blue, Plate #3 printed in black, 2013

David Rathman

Not on View

Original drawn positive, right center (not used), 2011

David Rathman

Not on View

Proof with hand coloring, no text, 2002

David Rathman

Not on View

Reference image printout, 2013

David Rathman

Not on View

Original drawn positive, c. 2009

David Rathman

Not on View

Plate #1 printed in greenish tan, 2013

David Rathman

Not on View

Original drawn positive, left, 2011

David Rathman

Not on View

Original drawn positive, left center, 2011

David Rathman

Not on View

Key plate, matrix, 2013

David Rathman

Not on View

Printout #2, 2011

David Rathman

Not on View

Key plate, matrix, 2013

David Rathman

Not on View

Original drawn positive, right center, 2011

David Rathman

Not on View

Proof, 2002

David Rathman

Not on View

Reference image printout, left, 2011

David Rathman

Not on View

Reference image printout, final size, 2013

David Rathman

Not on View

Silhouette of standoff between two gunmen, 2001

David Rathman

Not on View

Reference image printout, left, 2011

David Rathman

Not on View

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